Jamie Beck & Kevin Burg have been making quite a splash this year with their "cinemagraph" technique, combining still photography and video to "unfreeze" a photo in time. The results are stunning, and show that there was more potential in the old animated .gif format than had yet been realized.
We caught up with Jamie and Kevin, who let us in on their process.
Turnstyle: Animated .gifs have long been the territory of goofy forum signatures and internet memes, what caused you to take the idea of animated photographs up to the level of art?
Jamie & Kevin: We wanted to tell more of a story than a single still frame photograph, but didn't want the high maintenance aspect of a video. In preparation for Fashion Week we were trying to figure out a way to show more about what it was like being there, so cinemagraphs were born out of a need to tell a story in a fast digital age.
TS: Why "cinemagraph"?
J&K: There's a cinematic quality to them in both the way it captures a moment as well as the coming together of still imagery and moving imagery. "Cinemagraph" represents, in a single word, what the images represent visually. Coco Rocha put it well: "More than a photo, but not quite a video."
Technically speaking, how are these different from animated .gifs? I'm perceiving a lot more frames of animation for one, but is that just my brain filling in the blanks? It also feels like the animated parts are isolated from the rest of the composition.
J&K: An animated .gif is usually a sequence of stills pulled from video, animated art, or other imagery that is repurposed into a .gif. What we do is different because it's a traditional still photograph with a moment living within it. For us it's less about the .gif format -- that's just the vessel by which it's best to deliver them on the web, although the limitations of the format have been very influential on the visual style of our images. The .gif format itself is ancient by internet standards but much like photography people are always finding interesting new ways to communicate within the confines of existing formats